Konstruksi Identitas dalam Film ‘My Name is Khan’
DOI:
https://doi.org/10.31316/jk.v7i1.5196Abstract
Abstrak
Konstruksi identitas dalam teks media kerap ditampilkan dalam konteks sarat relasi kuasa yang mendudukkan posisi antartokoh secara timpang. Identitas tersebut mewakili realita dan isu sosial kontemporer, sekaligus menunjukkan sifat identitas yang cair, selalu berubah, dan dinamis. Artikel ini mengkaji bagaimana konstruksi tokoh dalam film My Name is Khan yang mengisahkan kehidupan imigran Muslim pascaperistiwa 9/11 di Amerika Serikat. Studi ini menggunakan analisis tekstual dengan konsep identitas kultural, diaspora, dan politik representasi sebagai pisau analisisnya. Hasil analisis menunjukkan bahwa konstruksi identitas dalam film My Name is Khan didominasi oleh identitas Muslim, yang dikonstruksi sebagai identitas yang rentan, powerless, selalu dikambinghitamkan, dan membawa banyak kerugian (disadvantageous).
Kata Kunci: identitas, konstruksi, film, My Name is Khan, 9/11
Abstract
The construction of identity in media texts is often presented in a context of power relations that position characters unequally. These identities represent contemporary social realities and issues, while showing the fluid, ever-changing and dynamic nature of identity. This article examines the construction of characters in the movie My Name is Khan, which tells the life of Muslim immigrants after 9/11 in the United States. This study uses textual analysis with the concepts of cultural identity, diaspora, and politics of representation as its analytical tools. The analysis shows that the construction of identity in My Name is Khan is dominated by Muslim identity, which is constructed as vulnerable, powerless, always scapegoated, and disadvantageous.
Keywords: identity, construction, film, My Name is Khan, 9/11
References
Daftar Pustaka:
Arya, Aneri. 2020. An Overview of Textual Analysis as a Research Method for Cultural Studies. International Journal for Innovative Research in Multidiciplinary Field. Vol. 6(3).
Ballraj, Belinda Marie. 2011. “My Name is Khan and I Am Not a Terrorist”: Representation of Muslims in ‘My Name is Khan’. Journal of Language and Culture. Vol. 2(6). Hlm. 91-95
Barker, Chris. 2002. Making Sense of Cultural Studies. London: Sage Publications.
_____________. 2004a. Cultural Studies: Teori dan Praktik. Yogyakarta: Kreasi Wacana.
_____________. 2004b. The Sage Dictionary of Cultural Studies. London: Sage Publications.
Erndl, Kathleen M. 2016. Religious and National Identity in My Name is Khan. Journal of Religion and Film. Vol. 20(1).
Fedtke, Jana. 2014. ‘My Name is Khan and I Am Not a Terrorist’: Disability and Asexuality in My Name is Khan. South Asian History and Culture. Vol. 5(4). Hlm. 521-533.
Grossberg, Lawrence. 1996. “On postmodernism and articulation: An Interview with Stuart Hall”. Dalam David Morley dan Kuan-Hsing Chen (ed.). Stuart Hall. London: Routledge.
Hall, Stuart. 1990. “Cultural Identity and Diaspora”. Dalam Jonathan Rutherford (ed.). Identity: Community, Culture, Difference. London: Lawrence & Wishart.
____________. 1997. Representation. London: Sage Publications.
____________. 2003. “Who Needs Identity?”. Dalam Stuart Hall dan Paul du Gay (ed.). Questions of Cultural Studies. London: Sage Publications.
Kanani, Nadia. 2014. Precarious Inclusions; Re-Imagining Disability, Race, Masculinity and Nations in My Name is Khan. Review of Disability Studies: An International Journal. Vol. 10 No. 1 & 2.
McKee, Alan. 2003. Textual Analysis. London: Sage Publications.
Nash, Geoffrey. 2012. Writing Muslim Identity. London: Continuum International Publishing Group.
Naveen, Gurrapu. 2012. “My Name is Khan and I Am Not a Terrorits”: Life, Representation of Muslims after 9/11 and a Man’s Journey of Faith. History of India through Cinema.
Said, Edward. 2008. Covering Islam: How the Media and the Experts Determine How We See the Rest of the World. London: Vintage Books.
Spencer, Stephen. 2006. Race and Ethnicity: Culture, Identity and Representation. New York: Routledge.
Weedon, Chris. 2004. Identity and Culture: Narratives of Difference and Belonging. London: Open University Press.
Downloads
Published
Issue
Section
License
Copyright (c) 2023 Nuril Ashivah Misbah, Anindita Lintangdesi Afriani, Dede Suprayitno

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
-
The journal allow the authors to hold the copyright without restrictions and allow the authors to retain publishing rights without restrictions.
-
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
This work is licensed under a Lisensi Creative Commons Atribusi-BerbagiSerupa 4.0 Internasional.