LIRIK LAGU SEMUA AKU DIRAYAKAN KARYA NADIN HAMIZAH

Authors

  • Laila Gusnatul Universitas Muhammadiyah Surakarta

DOI:

https://doi.org/10.31316/skripta.v10i1.5861

Keywords:

analisis wacana kritis

Abstract

Songs are literary works that express certain meanings through the words placed in the text. The meaning of a song is explained by its lyrics, which can also express the author's feelings or opinions about something. The aim of this research is to analyze the lyrics of Nadine Hamizah's song "All I'm Celebrated" and to clarify the relationship between lyrical and non-lyrical elements. The critical discourse analysis (CDA) model approach by Teun A. Van Dijk is used as an analytical tool. Qualitative methods were used in this research. Library research methods will be used for data collection. Research data is available in the form of lyric fragments. The source of research data is the lyrics of the song "All I Celebrate" by Nadin Hamizah. From the results of my research, I found that there is a macro structure consisting of the meaning of the lyrics, and a super structure consisting of intro, verse, bridge, chorus, etc. Then there is the micro structure in the form of semantic, syntactic and rhetorical studies.

References

Ali, M. (2022). Daya Sugesti Diksi Kelong dalam Struktur Mikro pada Analisis Wacana Kritis Van Dijk (Kajian Puisi Lisan Makassar). Jurnal Inovasi Penelitian, 3(2), 4723-4730.

Aska, W., Alghifari, M. F., & Goziyah, G. (2022). Analisis Wacana Kritis Van Dijk pada Lirik Lagu “Usik” Karya Feby Putri. Jurnal Skripta, 8(2), 36-42.

Eriyanto. (2011). Analisis Wacana Pengantar Analisis Teks Media. PT LkiS Printing Cemerlang

Hidayat, R. (2014). Analisis semiotika makna motivasi pada lirik lagu “Laskar Pelangi” karya Nidji. Jurnal Ilmu Komunikasi, 2(1), 243-258.

Isnaini, H. (2021). Tafsir Sastra: Pengantar Ilmu Hermeneutika. Bandung: Pustaka

Humaniora

Isnaini, H., Permana, I., & Lestari, R. D. (2022). Mite Sanghyang Kenit: Daya Tarik Wisata Alam di Desa Rajamandala Kulon Kabupaten Bandung Barat. TOBA: Journal of Tourism, Hospitality, and Destination, Volume 1, Nomor 2, 64-68.

Karmila, K., & Abdurahman, A. (2023). Analisis Majas dan Diksi pada Lagu Amin Paling Serius yang Dipopulerkan Sal Priadi dan Nadin Amizah. Educaniora: Journal of Education and Humanities, 1(1), 56-64.

Kurniati, L., & Saputry, D. (2021). Tinjauan Aspek Gramatikal dan Leksikal pada Wacana Lirik Lagu Karya Band Wali Album “Sang Juara” Kongres Internasional Masyarakat Linguistik Indonesia, 197-203.

Payuyasa, I. N. (2017). Analisis wacana kritis model van dijk dalam program acara mata najwa di metro tv. Segara Widya: Jurnal Penelitian Seni, 5.

Rambah, A. 2011. Musik Sebagai Media Komunikasi dan Permainan . Diperoleh dari

website: http://armandrambah.blogspot.co.id/2011/08/musik-sebagaimediakomunikasi-dan.html

Saputri, R., & Markhamah, M. (2023). Pilihan Kata Teks Deskripsi Kelas VII SMP. Literasi: Jurnal Bahasa dan Sastra Indonesia serta Pembelajarannya, 7(2), 218-228.

Sinaga, M., & Naibaho, S. (2021). Nilai Karakter Dalam Teks Lagu Batak Toba Sebagai Bahan Ajar Mata Pelajaran Bahasa Indonesia Kelas VIII SMP. Kompetensi, 14(2), 99-104.

Tika, H. (2021). Analisis Semiotika Makna Cinta pada Lirik Lagu “Tak Sekedar Cinta” Karya Dnanda. Jurnal Metamorfosa, 9 (2).

Thobroni, M., Mardikantoro, H. B., & Rustono, R. (2021). Analisis Wacana Kritis Model Teun A. Van Dijk Terhadap Lirik Lagu Anak Karya At Mahmud. Seshiski: Southeast Journal of Language and Literary Studies, 1(1), 14-22.

Muttaqin, M. dan Kustap. 2008. Seni Musik Klasik.Jakarta: Departemen Pendidikan Nasional

Mufidoh, Z. M. (2023, June). Analisis Wacana Kritis Teori Van Dijk Dalam Lirik Lagu Tutur Batin Yura Yunita. In Seminar Nasional Daring Sinergi (Vol. 1, No. 1, pp. 1777-1784).

Nathaniel, A., & Sannie, A. W. (2020). Analisis semiotika makna kesendirian pada lirik lagu “Ruang Sendiri” karya Tulus. SEMIOTIKA: Jurnal Ilmu Sastra Dan Linguistik, 19(2), 107-117.

Downloads

Published

2024-05-22

How to Cite

Gusnatul, L. (2024). LIRIK LAGU SEMUA AKU DIRAYAKAN KARYA NADIN HAMIZAH. Jurnal Skripta, 10(1), 57–65. https://doi.org/10.31316/skripta.v10i1.5861

Issue

Vol. 10 No. 1 (2024): SKRIPTA MEI 2024

Section

Articles

Categories

License

Copyright (c) 2024 Jurnal Skripta

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

JURNAL SKRIPTA has chosen to apply the Creative Commons Attribution NonCommercial 4.0 License (CC BY-NC 4.0) to all manuscripts to be published. Authors who publish with this journal agree to the following terms.
  • Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work’s authorship and initial publication in this journal.
  • Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal’s published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
  • Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.